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The Character Hrothgar in Beowulf
are representative of the earnest attempts required for such characters of this particular genre to assert their worthiness; indeed, when one looks carefully at the inference of such supreme power
great mead-hall Heorot, which is ruled by Hrothgar. Section VIII of the poem pictures Beowulf addressing the assembly and bragging extravagantly about his own brave, skill and heroism. He says,
in defending his people. It is a story that has its origins in pagan culture, but it was recorded by a Christian scribe (Saupe 97). Therefore there are "overlays" that
pagan elements. The world pictured in Beowulf is dominated by warriors, men who placed their faith primarily in two things -- their leader (their "thane") and in "wyrd" (a
offers a rather broader depiction of the society of his time: society has become more diverse, since Chaucers pilgrims represent numerous different lifestyles and degrees of social standing. The warrior
chronicle their initial assessment of one another. The Queen also has her say on the matter. Historically speaking, what these sections serve to do is show the importance of
through numerous means, especially contrast and comparions. Grendel is shown to be totally without honor and is wild. "Grendel, who haunted the moors, the wild marshes, and made his
was the devil incarnate: "At the dawning, as day was breaking, / the might of Grendel to men was known; / then after wassail was wail uplifted, /
also showing caution, at least at first, concerning Beowulf. The first excerpt to be examined shows Hrothgar speaking to Beowulf: "For fight defensive, Friend my Beowulf, to succor and save,
to serve himself. Beowulf seeks fame, glory, treasure, and the immortality of a death in combat to secure his legacy. The Anglo-Saxon poem "Beowulf," which is believed to
"Hrothgar O sovran Hrothgar, to seek thee here" possessed of his "nerve and...might" (VI). He tells Hrothgar that he will do whatever is necessary even if "if death must take
bravery and loyalty in Anglo-Saxon culture, will become the primary focus of the entire work. To understand the mechanism of this change, it is first necessary to understand the role
overall situation and conflict between the pagan and Christian religions which existed in England at that time. The heavy Christian influence in the poem however, is reflected in the Christian
text, a supernatural force, and the celebration of the hero. Structurally speaking, an epic is "a long narrative poem on a great and serious subject" (Lucas). A primary epic
dragon; when the two halves of the poem are viewed in conjunction with one another, its mythic intent becomes apparent as it draws upon both Anglo-Saxon and Christian values to