Contrasting Beowulf’s Battles With Grendel (and His Mother) and the Dragon

serve the king and save the Danes, who appear to be senselessly slaughtered. He may have been drafted into the contest, but he undertakes the task as his own.

Beowulf as Christian and Christian Elements in the Poem “Beowulf”

overall situation and conflict between the pagan and Christian religions which existed in England at that time. The heavy Christian influence in the poem however, is reflected in the Christian

THE MONSTERS OF BEOWULF AND THEIR FUNCTION

through numerous means, especially contrast and comparions. Grendel is shown to be totally without honor and is wild. "Grendel, who haunted the moors, the wild marshes, and made his

Beowulf and Grendel/Then and Now

Grendel is the stuff of pure myth. He is the amorphous evil that has no shape, yet is deadly. The monsters sole purpose is to provide a worthy adversary against

Christianity in Beowulf

in defending his people. It is a story that has its origins in pagan culture, but it was recorded by a Christian scribe (Saupe 97). Therefore there are "overlays" that

Beowulf as a Christ-like Figure

pagan elements. The world pictured in Beowulf is dominated by warriors, men who placed their faith primarily in two things -- their leader (their "thane") and in "wyrd" (a

Beowulf as Myth

dragon; when the two halves of the poem are viewed in conjunction with one another, its mythic intent becomes apparent as it draws upon both Anglo-Saxon and Christian values to

Comparative Analysis of Grendel and the Dragon in the Medieval Poem, “Beowulf”

was the devil incarnate: "At the dawning, as day was breaking, / the might of Grendel to men was known; / then after wassail was wail uplifted, /

Hero and Anti Hero: Beowulf and Grendel

story of Beowulf, an epic heros journey set in Denmark and Sweden, in the sixth century. "To Beowulf now the glory was given, and

Digressions in Beouwulf.

as connectors, or "verbal doorways" which link the poem and its legends with larger worlds. Digressions The digressions in this poem seem to work at three levels. We have

The Epic “Beowulf”

text, a supernatural force, and the celebration of the hero. Structurally speaking, an epic is "a long narrative poem on a great and serious subject" (Lucas). A primary epic

Beowulf & Aeneas

Aeneas is bound by the heroic values of a warrior class. However, while Aeneas first inclination is to fight the invading Greeks, he is presented with portents and powerful visual

Beowulf : Pagan or Christian Hero?

the Church deemed it proper to allow them to retain many of their former customs, providing those customs were not explicitly forbidden by the Bible. The same approach applies

Beowulf v. Odysseus/Who is the most attractive?

great mead-hall Heorot, which is ruled by Hrothgar. Section VIII of the poem pictures Beowulf addressing the assembly and bragging extravagantly about his own brave, skill and heroism. He says,

Beowulf: Heeded Hrothgar's Advice?

are representative of the earnest attempts required for such characters of this particular genre to assert their worthiness; indeed, when one looks carefully at the inference of such supreme power