Beowulf as a Christ-like Figure

pagan elements. The world pictured in Beowulf is dominated by warriors, men who placed their faith primarily in two things -- their leader (their "thane") and in "wyrd" (a

Christianity in Beowulf

in defending his people. It is a story that has its origins in pagan culture, but it was recorded by a Christian scribe (Saupe 97). Therefore there are "overlays" that

Beowulf and the Matter of Perspective

bravery and loyalty in Anglo-Saxon culture, will become the primary focus of the entire work. To understand the mechanism of this change, it is first necessary to understand the role

Beowulf and Grendel/Then and Now

Grendel is the stuff of pure myth. He is the amorphous evil that has no shape, yet is deadly. The monsters sole purpose is to provide a worthy adversary against

Beowulf/Its Culture

existed between a warrior and his "thane," that is, his liege lord. The concept of thane is not precisely synonymous with "king," as the relationship is founded on mutual feelings

Beowulf as Myth

dragon; when the two halves of the poem are viewed in conjunction with one another, its mythic intent becomes apparent as it draws upon both Anglo-Saxon and Christian values to

Christianity In Beowulf

on the wording within the Olde English text and on the Christian actions of the characters. Larry Benson pointed out the fact that seeing the characters as both emphatically

13th Warrior/A Beowulf Retelling

of King Hrothgar in defeating a man-eating monster, Grendel, who is terrorizing his people and killing his warriors each night. There is, likewise, a similar threat to King Hrothgars people.

Beowulf as Christian and Christian Elements in the Poem “Beowulf”

overall situation and conflict between the pagan and Christian religions which existed in England at that time. The heavy Christian influence in the poem however, is reflected in the Christian

Digressions in Beouwulf.

as connectors, or "verbal doorways" which link the poem and its legends with larger worlds. Digressions The digressions in this poem seem to work at three levels. We have

The Epic “Beowulf”

text, a supernatural force, and the celebration of the hero. Structurally speaking, an epic is "a long narrative poem on a great and serious subject" (Lucas). A primary epic

Beowulf v. Odysseus/Who is the most attractive?

great mead-hall Heorot, which is ruled by Hrothgar. Section VIII of the poem pictures Beowulf addressing the assembly and bragging extravagantly about his own brave, skill and heroism. He says,

Beowulf & Aeneas

Aeneas is bound by the heroic values of a warrior class. However, while Aeneas first inclination is to fight the invading Greeks, he is presented with portents and powerful visual

Beowulf : Pagan or Christian Hero?

the Church deemed it proper to allow them to retain many of their former customs, providing those customs were not explicitly forbidden by the Bible. The same approach applies

Beowulf: Heeded Hrothgar's Advice?

are representative of the earnest attempts required for such characters of this particular genre to assert their worthiness; indeed, when one looks carefully at the inference of such supreme power